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French involvement in this war began in North America, where France controlled vast tracts of land along the Mississippi and Ohio valleys.
As French settlers and traders came into contact with British colonists resident on the east coast, there was tension and conflict over territory, hunting, fishing and the rights to fur-trapping.
The French retaliated and within a year both France and Britain had sent standing armies to America to protect their territory.
The first three years of the conflict were successful for France, which secured some important victories and at one point planned an amphibious invasion of England.
By late the French government was seeking peace, which was finalised by the Treaty of Paris in The outcome for the French treasury was just as disastrous.
According to Brecher, the government raised million livres from new loans, million livres from new or extended taxes and 60 million livres by selling venal offices.
This explosion in public debt was compounded by the loss of the American colonies, which drained millions of livres of foreign resources and trade from the French economy.
From the mids France fought a series of foreign and imperial wars that placed its economy under enormous strain and led to an explosion in national debt.
Louis XIV waged several wars — to consolidate and expand his own absolutism, to glorify himself as a military leader and to increase French power in Europe.
They were funded by new or increased taxes and loans, yet still drained the national treasury. It also left the nation with a national debt of around 2.
This page was written by Jennifer Llewellyn and Steve Thompson. Other European courts made no forceful objections to Spain's modest initial colonies on Haiti and Cuba.
The conquest of Mexico in , however, soon changed everything. The silver and gold of Central and South America were by far the greatest prizes any European power derived from the Americas, translating immediately into pay for armies and fleets, funds for dissidents in neighboring European countries, and collateral for a scale of borrowing that transformed European warfare.
Efforts to find riches equivalent to those of the Aztecs, Mayans, and Incas inspired French voyages by Giovanni da Verrazzano and Jacques Cartier , —36, — They failed to find either North American wealth or a passage to the Orient, but Spain's rivals retained the option of stealing what Spain was taking from the New World.
As France collapsed in religiously inspired civil war —89 , French Huguenots established a refuge and privateering base at Fort Caroline Jacksonville, Florida in The Spanish responded decisively the following year, capturing the fort, executing most of the prisoners, and establishing St.
Augustine , the first permanent European settlement in North America. English illegal traders in the Caribbean, led by John Hawkins, were succeeded by pirates, led by Francis Drake.
Elizabethan colonizing ventures in North America failed, under Humphrey Gilbert in Newfoundland and Walter Raleigh at Roanoke Island —87 ; both had been intended as bases for raiding Spanish American shipping.
Peace between European maritime powers allowed the English, French, and Dutch to establish permanent North American colonies. The Dutch, emerging from their long war for independence from Spain — , became Europe's next dominant maritime power.
The Dutch built their imperial success on efficient shipping and a global network of trade in exotic commodities for expanding European consumption.
For example, Dutch traders provided capital, expertise, shipping, and markets for sugar production on English and French Caribbean Islands in the s, stimulating the growth of trade in both African slaves and North American provisions, lumber, and horses.
Unable to compete with the Dutch, French and English competitors sought government support for exclusionary mercantilist trade laws, and for the maritime wars to enforce them.
The Dutch readily recaptured New York in but, severely tested at home by the massive military power of Louis XIV's France, returned the colony to England a year later.
By the s, France had become the paramount power in Western Europe , whether measured by population, tax revenues, or standing armies.
Although the British colonists persistently outnumbered their French counterparts by at least twenty to one, the manpower advantage was offset by decentralized and disunited British colonial governments.
Many Indians, using intercolonial wars to gain supplies for their resistance against encroaching European settlement, helped prolong the contest by supporting the Canadians.
European navies helped insulate the American contests. European courts declared each war and proclaimed each peace, but were slow to undertake serious fighting in North America.
British Americans rather optimistically named them after their monarchs: Monarchs declared war, then hurried the news to the West Indies to snatch a rival's unsuspecting sugar colony.
In , the Cabinet War Rooms , an underground wartime command centre, was opened to the public. From the s onwards, the museum's Bethlem building underwent a series of multimillion-pound redevelopments, completed in The museum's collections include archives of personal and official documents, photographs , film and video material, and oral history recordings, an extensive library , a large art collection, and examples of military vehicles and aircraft, equipment, and other artefacts.
The museum is funded by government grants, charitable donations, and revenue generation through commercial activity such as retailing, licensing, and publishing.
General admission is free to IWM London although specific exhibitions require the purchase of a ticket and IWM North, but an admission fee is levied at the other branches.
The museum is an exempt charity under the Charities Act and a non-departmental public body under the Department for Culture, Media and Sport.
A committee was established, chaired by Mond, to oversee the collection of material to be exhibited in the new museum. This National War Museum Committee set about collecting material to illustrate Britain's war effort by dividing into subcommittees examining such subjects as the Army, the Navy, the production of munitions , and women's war work.
Sir Martin Conway , the Museum's first Director General, said that exhibits must 'be vitalised by contributions expressive of the action, the experiences, the valour and the endurance of individuals'.
While in France he met French government ministers, and Field Marshal Haig , who reportedly took great interest in his work.
During the opening ceremony, Sir Alfred Mond addressed the King on behalf of the committee, saying that 'it was hoped to make the museum so complete that every one who took part in the war, however obscurely, would find therein an example or illustration of the sacrifice he or she made' and that the museum 'was not a monument of military glory, but a record of toil and sacrifice'.
In the museum moved to the Imperial Institute building demolished in the s and s to make way for Imperial College in South Kensington.
While this location was more central and in a prestigious area for museums, the accommodation itself proved cramped and inadequate  and in a new permanent location was found south of the River Thames in Southwark.
The building, designed by James Lewis  was the former Bethlem Royal Hospital which had been vacated following the hospital's relocation to Beckenham in Kent.
The site was owned by Lord Rothermere , who had originally intended to demolish the building entirely in order to provide a public park in what was a severely overcrowded area of London.
Eventually the central portion of the hospital building was retained while its two extensive wings were removed and the resulting space named Geraldine Mary Harmsworth Park , after Lord Rothermere's mother.
Sir Martin Conway described the building as ' This particular building can be made to contain our collection admirably, and we shall preserve from destruction quite a fine building which otherwise will disappear'.
With the outbreak of the Second World War in , the museum began to collect material documenting the conflict. The museum refused, however, to return some historic items such as a naval gun from HMS Lance which had fired Britain's first shot of the First World War or a gun served by Victoria Cross -winning boy seaman Jack Cornwell.
On 31 January the museum was struck by a Luftwaffe bomb which fell on the naval gallery. A number of ship models were damaged by the blast and a Short Seaplane , which had flown at the Battle of Jutland , was destroyed.
The museum reopened a portion of its galleries in November In , with Commonwealth forces engaged in Korea and Malaya the museum began its current policy of collecting material from all modern conflicts in which British or Commonwealth forces were involved.
Dr Noble Frankland, the museum's Director from to , described the museum's galleries in as appearing 'dingy and neglected [and in a] dismal state of decay' the museum's 'numerous stunning exhibits' notwithstanding.
In the Museum's Southwark building was extended to provide collections storage and other facilities, the first major expansion since the Museum had moved to the site.
The development also included a purpose-built cinema. Both had been fired in action during the Second World War.
They went on permanent display outside the museum in May Later in on 13 October the Museum was attacked by an arsonist , Timothy John Daly, who claimed he was acting in protest against the exhibition of militarism to children.
On his conviction in he was sentenced to four years in prison. Needing further space, the museum duly requested permission to use part of the site as temporary storage.
The entire site was later transferred to the museum in February and Duxford, now referred to as Imperial War Museum Duxford became the museum's first branch.
The museum was reluctant due to its new commitments related to Duxford and HMS Belfast , but agreed in By the museum was again looking to redevelop the Southwark site and approached engineering firm Arup to plan a phased programme of works that would expand the building's exhibition space, provide appropriate environmental controls to protect collections, and improve facilities for visitors.
The following year, in April , the Cabinet War Rooms were opened to the public as a branch of the museum. The first phase of the works to the Southwark building started in and were completed in , during which time the museum was closed to the public.
The work included the conversion of what was previously the hospital's courtyard into a centrepiece Large Exhibits Gallery.
This gallery featured a strengthened ground floor to support the weight of very heavy exhibits , a first floor mezzanine and second storey viewing balcony.
Into this space were placed tanks, artillery pieces, vehicles, ordnance and aircraft from the First World War to the Falklands War. In September the museum was the target of a Provisional Irish Republican Army attack against London tourist attractions.
Two incendiary devices were found in a basement gallery, but were extinguished by staff before the arrival of the fire brigade , and caused only minor damage.
The second stage of the redevelopment of the Southwark building, during which the museum remained open to the public, was completed in The following year, , the final phase of the Southwark redevelopment was completed.
The development included the installation of the museum's Holocaust Exhibition which was opened by the Queen on 6 June A second phase took a wider 20th century historical remit; it comprised a learning programme using overseas visits and social media , and a professional development scheme for educators.
In September the museum secured funding from NESTA , the Arts and Humanities Research Council and Arts Council England to develop "social interpretation" systems to allow visitors to comment on, collect, and share museum objects via social media.
Chaired by Jonathon Harmsworth the foundation was charged with raising funds to support the redevelopment of Imperial War Museum London's permanent galleries.
The museum partially reopened on 29 July From the s onwards the Imperial War Museum began to expand onto other sites. The hospital building was designed by the hospital surveyor, James Lewis, from plans submitted by John Gandy and other architects, and construction completed in October The hospital consisted of a range of buildings feet long with a basement and three storeys, parallel to Lambeth Road , with a central entrance under a portico.
The building was substantially altered in by architect Sydney Smirke. In order to provide more space, he added blocks at either end of the frontage, and galleried wings on either side of the central portion.
He also added a small single-storey lodge, still in existence, at the Lambeth Road gate. Later, between —46, the central cupola was replaced with a copper-clad dome in order to expand the chapel beneath.
The building also featured a theatre in a building to the rear of the site. The building remained substantially unchanged until vacated by the hospital in After the freehold was purchased by Lord Rothermere , the wings were demolished to leave the original central portion with the dome now appearing disproportionately tall and Smirke's later wings.
When the museum moved into the building in the ground floor of the central portion was occupied by the principal art gallery, with the east wing housing the Naval gallery and the west wing the Army gallery.
The Air Force gallery was housed in the former theatre. The first floor comprised further art galleries including rooms dedicated to Sir William Orpen and Sir John Lavery , a gallery on women's war work , and exhibits relating to transport and signals.
The first floor also housed the museum's photograph collection. The second floor housed the museum's library in its west wing, and in the east wing the map collection and stored pictures and drawings.
In September the building received Grade II listed building status. The original hospital building is now largely occupied by corporate offices.
The extension houses the library, art store, and document archives while the s redevelopments created exhibition space over five floors.
The ground floor comprised the atrium, cinema, temporary exhibition spaces, and visitor facilities. The first floor included the atrium mezzanine, education facilities, and a permanent gallery, Secret War , exploring special forces , espionage and covert operations.
The second floor included the atrium viewing balcony, two art galleries, a temporary exhibition area and the permanent Crimes against Humanity exhibition.
The third floor housed the permanent Holocaust Exhibition , and the fourth floor, a vaulted roof space, accommodated the Lord Ashcroft Gallery.
The building, which backs onto Geraldine Mary Harmsworth Park , was originally an orphanage opened by local philanthropist Charlotte Sharman , then later used as a hospital.
It houses the museum's photographic, film and sound archives, and offices. The site accommodates a number of British Army regimental museums, including those of the Parachute Regiment and the Royal Anglian Regiment.
Duxford remained an active RAF airfield until Many of Duxford's original buildings, such as hangars used during the Battle of Britain, are still in use.
A number of these buildings are of architectural or historic significance and over thirty have listed building status.
The site remains an active airfield and is used by a number of civilian flying companies, and hosts regular air shows. The site is operated in partnership with Cambridgeshire County Council and the Duxford Aviation Society, a charity formed in to preserve civil aircraft and promote appreciation of British civil aviation history.
She saw further combat in the Korean War. Expected to be disposed of as scrap after she was decommissioned in , in efforts were initiated to preserve Belfast as a museum ship.
A joint committee of the Imperial War Museum, the National Maritime Museum and the Ministry of Defence was established, and reported in June that preservation was practical.
In the government decided against preservation, prompting the formation of the private HMS Belfast Trust to campaign for her to be saved for the nation.
The Trust was successful in its efforts, and the government transferred the ship to the Trust in July Opened to the public in October Belfast became a branch of the Imperial War Museum on 1 March , being acknowledged by the then Secretary of State for Education and Science , Shirley Williams , as "a unique demonstration of an important phase of our history and technology".
Located beneath the Treasury building in the Whitehall area of Westminster , the facilities became operational in and were in constant use until their abandonment in August after the surrender of Japan.
Their historical value was recognised early on, and the public were able to visit by appointment. However, the practicalities of allowing public access to a site beneath a working government office meant that only 4, of 30—40, annual applicants to visit the War Rooms could be admitted.
Thatcher opened the War Rooms in April In a further suite of rooms, used as accommodation by Churchill, his wife and close associates, were added to the museum.
The centrepiece is a 15m interactive table which enables visitors to access digitised material, particularly from the Churchill Archives Centre , via an "electronic filing cabinet".
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